Two New Books on Audio
Reviewed by John Sunier
THE NEW STEREO SOUNDBOOK, 2nd Edition, 1999
by Ron Streicher and F. Alton Everest
hardcover - Audio Engineering Associates, Pasadena, CA
800-798-9127 stereoms@compuserve.com - $54.50.
First published in 1991, this large-format volume received
excellent industry acceptance. The second edition updates
the text, including such recent developments as DVD and 5.1
digital sound. The book is profusely illustrated with both
diagrams and photos, and the writing style is unusually
direct and conversational without the obfuscation that
generally comes from technical-types.
Fourteen chapters begin with a fascinating survey of early
stereophonics and how the stereo effect is conveyed. It's
relationship to the human hearing system is explored and a
chapter on "Philosophical and Pragmatic Approaches to
Stereo" promotes thoughtful consideration. There are
several chapters on microphones and their placement for
various purposes, as well as an emphasis on conveying
spaciousness via two channels and with surround sound. For
example, in the Spaced Mike Stereo Techniques section, the
following approaches are detailed: near-coincident array,
ORTF, NOS, OSS, Stereo Ambient Sampling System, Spaced
Omnis, Spaced Directional Mikes, Flanking Microphones, the
Decca Tree.
The principle of audible reflections is the theme of
another chapter. Pseudo-stereo gets a chapter to itself,
and the chapter on Binaural Reproduction is the most
readable and complete on this subject I have ever seen. I'm
especially pleased since this is a topic that has been
omitted entirely in other books, especially those on
consumer-level audio. The final chapter is Optimizing the
Listening Environment - a vital consideration also often
ignored. There are extensive reference notes on each of the
chapters plus an appendix that includes a glossary of terms
and a valuable reprint of Alan Blumlein's original stereo
patents of 1931-33. This would be an invaluable text for
anyone serious about the original recording and
reproduction of sound.
This review was
written by John Sunier, host of the nationally syndicated
radio program "Audiophile Audition", and was published in
his May, 1999 newsletter.